Regarding the application of Laura Mulvey's ideas to Hitchcock's vertigo and to bumfights:
We agreed that both media are organized around the objectification of one human by another. That the controlling gaze works in almost the same way in each clip.
Where they differ:
Bumfights has an uncertain narrative structure versus Vertigo's cinematic narrative.
Bumfights invokes a safe experience of dangerous "real life" spontaneity, whereas Vertigo is acknowledged as fiction.
I know we said much more, what am I missing?
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